Automatic Drawing
Automatic Drawing

[59x42cm] pigment ink on paper 2015

Touch of the Tar Brush
Touch of the Tar Brush

Bideford Black ink and tarbrush on paper, [65x50cm] 2017

Taken
Taken

[44cmx28cm] charcoal and nail on gessoed panel, 2015

Erased Enzo
Erased Enzo

41x45cm pigment ink on gessoed panel, 2015

The Inheritors
The Inheritors

Excavation drawing [57x41cm] 2013  carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

In Place of Memory
In Place of Memory

Excavation Drawing [59x84cm]  2013 carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

Equipoise ii
Equipoise ii

[40x60] carbon, gesso, red ochre on wood panel 2016

Studio
Studio

Memory Drawing, oil stick on newsheet, 

Echo
Echo

carbon, sanguine, gouache and traces [60x42cm] 2013

Outside-Inside my Head
Outside-Inside my Head

[60x84cm] blind drawing, charcoal on paper, 2013

Life Study (Six of Us)
Life Study (Six of Us)

compressed carbon on paper, 2013

Time Lapse Drawing (Dance Performance)
Time Lapse Drawing (Dance Performance)
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Distraction, charcoal, human hair, collage.
Distraction, charcoal, human hair, collage.
How do you Distinguish Between Real Pleasure and Mere Diversion
How do you Distinguish Between Real Pleasure and Mere Diversion

Billboard Mailart Art_How do you distinguish between real pleasure and mere diversion 25xA4 [105x150cm] 

Automatic Drawing
Touch of the Tar Brush
Taken
Erased Enzo
The Inheritors
In Place of Memory
Equipoise ii
Studio
Echo
Outside-Inside my Head
Life Study (Six of Us)
Time Lapse Drawing (Dance Performance)
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Distraction, charcoal, human hair, collage.
How do you Distinguish Between Real Pleasure and Mere Diversion
Automatic Drawing

[59x42cm] pigment ink on paper 2015

Touch of the Tar Brush

Bideford Black ink and tarbrush on paper, [65x50cm] 2017

Taken

[44cmx28cm] charcoal and nail on gessoed panel, 2015

Erased Enzo

41x45cm pigment ink on gessoed panel, 2015

The Inheritors

Excavation drawing [57x41cm] 2013  carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

In Place of Memory

Excavation Drawing [59x84cm]  2013 carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

Equipoise ii

[40x60] carbon, gesso, red ochre on wood panel 2016

Studio

Memory Drawing, oil stick on newsheet, 

Echo

carbon, sanguine, gouache and traces [60x42cm] 2013

Outside-Inside my Head

[60x84cm] blind drawing, charcoal on paper, 2013

Life Study (Six of Us)

compressed carbon on paper, 2013

Time Lapse Drawing (Dance Performance)
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Distraction, charcoal, human hair, collage.
How do you Distinguish Between Real Pleasure and Mere Diversion

Billboard Mailart Art_How do you distinguish between real pleasure and mere diversion 25xA4 [105x150cm] 

show thumbnails